Ian White Mixed Media
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I started being interested in leather when I was working as a Veterinary Public Health Officer late 60s, early 70s. From time to time I had occasion to visit tanneries to get an idea of the quality of skinning that took place in meatworks. I was fascinated by the tanning process and discovered a lot about it. My initial interest was only in bark-tanned leather, in which all chemicals that are used for the tanning are of natural extraction. The leather that most people see in fashion goods is not bark-tanned, but what is known as chrome-tanned with a plastic colouring surface. I'm amused when people say, "Oh. I just love the smell of leather!" What they really mean, is they love the smell of plastics and chemicals.
Anyway, I wasn't interested in the sort of early leatherwork of the Texan style of horses heads and roses carved into the surface. I went the way of the early European braiders and Australian leather whip-makers and saddle-makers. Braiding, in those early days (mid 70s) was my bag (pun intended).


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This is a shoulder bag made of bark-tanned cowhide, with the lower pouch part of goat leather, also vegetable-tanned. All lacing is hand-cut bark-tanned kangaroo braid and all stitching is handsewn with linen thread.
The closer is a boar's tusk.
This bag is deceptive. It's pretty big.
Approx 34cm high

About Circa 1975

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Another view of the same bag (above).
This was made in the period before my formal training in production design work.



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Another bag - same style - same materials - same period

25cm high

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The back of the bag at left.



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Another similar piece, this time cow and calf-hide with a fully braided gusset ( a sort of 'knitting' you might call it). All-in-all a real masochist's delight.

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